Composing.
Pulling inspiration from those same beloved game soundtracks, artists and composers Harry has grown up on, he has a specialty in bringing the full potential out of any instrumentation, from piece’s with a solo focus to full orchestral arrangements (or as much as his CPU will allow before it starts screaming in pain).
If you think Harry might be a good fit for your project, simply reach out via the contact page to discuss.
DISCLAIMER: All of these works are currently unreleased! I do plan on releasing them in the near future. But for now, let’s just keep them between you and me.
Shards of Glass - Harry Peters
This piece is my momento mori (no, that’s too dark, that ain’t it). I believe this piece encapsulates the emotions I am trying to evoke when I compose music. I love to write with a bittersweet feeling and make something as simple as a solo piano sound so complex. What a great instrument, right? An entire orchestra’s worth of dynamic range and a limitless palette for musical expression, all within its 88 little keys. Anyway, please enjoy this track as I have enjoyed making it.
So this is what love sounds like - Harry Peters
My idea behind this piece was to create the most flowing, sweet and sappy sounding thing I could possibly write on a piano. If you hear La La Land in this piece, I would agree with you, its probably the most ‘lovey-dovey’ thing I have ever written. It’s through-composed, so it follows no structure, just like the early stages of a romantic relationship. It is currently a work-in-progress, and it is very short, but please do enjoy regardless.
Unbroken - Harry Peters
Unbroken is a fantastic example of my orchestral arranging capabilities. This epic features intimate piano combined with solemn with its string playing. The whole piece is built around an ostinato as it is passed around through instrumental textures and harmonic density. When I wrote it, I enjoyed playing around with subtle timbral elements and effects, such as the piano layering in the mid-section. Please do take a listen.
Film Scoring for 1917
During my spare time, I took it upon myself to score (and sound design) a film scene. When writing this I really wanted to encapsulate the weight and tension that came with decision the protagonist has to make in this scene. For that reason, my scoring reflects the character’s internal monologue and the sound design is built from his perspective, highlighting sounds that he himself is focused on in the moment.
Film credit: Universal Pictures, Neal Street Productions (2019)
Hey! Thanks for checking out my stuff! You’re legendary!